Gems of Divine Mysteries

Among these early effusions of the Pen of Glory is a lengthy Arabic epistle known as the Javáhiru’l-Asrár, meaning literally the “gems” or “essences” of mysteries. A number of themes it enunciates are also elaborated in Persian—through different revelatory modes—in the Seven Valleys and the Book of Certitude, those two immortal volumes which Shoghi Effendi has characterized, respectively, as Bahá’u’lláh’s greatest mystical composition and His pre-eminent doctrinal work. Undoubtedly the Gems of Divine Mysteries figures among those “Tablets revealed in the Arabic tongue” which were referred to in the latter volume.2

One of the central themes of the book, Bahá’u’lláh indicates, is that of “transformation”, meaning here the return of the Promised One in a different human guise. Indeed, in a prefatory note written above the opening lines of the original manuscript, Bahá’u’lláh states:

This treatise was written in reply to a seeker who had asked how the promised Mihdí could have become transformed into ‘Alí-Muḥammad (the Báb). The opportunity provided by this question was