The Bahá’í World
Volume 2 : 1926-1928
THE MASHRIQU’L-ADHKÁR
(The “Dawning-Place of the Worship of God”)
Visible Embodiment of the Universality of the Cause of Bahá’u’lláh.
A Compilation of Two Addresses by ‘Abdu’l-Bahá, an Address by
Major Henry J. Burt, a letter by C. Mason Remey, preceded
by a Foreword by Horace Holley.
FOREWORD
MANY discerning minds have testified to the profoundly significant change which has taken place during recent years in the character of popular religious thinking. Religion has developed an entirely new emphasis, more especially for the layman, quite independent of the older sectarian divisions.
Instead of considering that religion is a matter of turning toward an abstract creed, the average religionist today is concerned with the practical applications of religion to the problems of human life. Religion, in brief, after having apparently lost its influence in terms of theology, has been restored more powerfully than ever as a spirit of brotherhood, an impulse toward unity, and an ideal making for a more enlightened civilization throughout the world.
Against this background, the institution of the Mashriqu’l-Adhkár stands revealed as the supreme expression of all those modern religious tendencies animated by social ideals which do not repudiate the reality of spiritual experience but seek to transform it into a dynamic striving for unity. The Mashriqu’l-Adhkár, when clearly understood, gives the world its most potent agency for applying mystical vision or idealistic aspiration to the service of humanity. It makes visible and concrete those deeper meanings and wider possibilities of religion which could not be realized until the dawn of this universal age.
The term “Mashriqu’l-Adhkár” means, literally, “Dawning-place of the worship of God.”
To appreciate the significance of this Bahá’í institution, we must lay aside all customary ideas of the churches and cathedrals of the past. The Mashriqu’l-Adhkár fulfills the original intention of religion in each dispensation, before that intention had become altered and veiled by human invention and belief.
In its completed form, the Mashriqu’l-Adhkár consists of a Temple standing in the center of five accessory buildings, the entire group surrounded by landscaped gardens designed in the pattern of nine which gives the Temple its dominant note.
The Mashriqu’l-Adhkár to be erected on the shore of Lake Michigan in the heart of North America, with its foundation already laid at Wilmette, Illinois, a suburb of Chicago, was designed by Mr. Louis Bourgeois. In the original conception, and throughout the myriad details of the mighty structure, a new inspiration is revealed which suggests an architectural order harmonizing and blending the styles developed separately In the East and in the West. Its sym-
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